Highlights of that season also included concerts with Holland Baroque in Utrecht and The Hague, and with Divino Sospiro in Milan, Lisbon, Paris and Metz, as well as the role of Angelo in Luigi Mancia’s Il paradiso perduto with Le Concert de l’Hostel Dieu at the Auditorium of the Orchestre National de Lyon. A new collaboration with Les Arts Florissants brought her to the Opéra Royal de Versailles, where she sang the role of L’Amour in Mondonville’s Titon et l’Aurore. Ana Vieira Leite is particularly active in the field of early music and has sung roles such as Spes in Hildegard von Bingen’s Ordo Virtutum, Une Bohémienne in André Campra’s Les fêtes vénitiennes, La Musica in Monteverdi’s Orfeo, and Lidie in Rameau’s Le Temple de la Gloire. She is a founding member of the ensemble O Bando de Surunyo, specialising in the performance of sixteenth- and seventeenth-century music. In September 2019 she made her debut at the Grand Théâtre de Genève, singing the soprano solo in Philip Glass’s Einstein on the Beach and Clorinda in a children’s adaptation of Rossini’s La Cenerentola. In concert, she performed Mahler’s Fourth Symphony under the direction of Joana Carneiro and Gábor Takács-Nagy, as well as Mahler’s Rückert Lieder with Thomas Hueschild.